[Shafer is] faultless in the business of bringing charm, vivacity and light, shining tone to every note she sings, not to mention dazzling coloratura. She’s the embodiment of Viennese style and the binding ingredient of the production, physically as well as vocally. I looked forward to her every appearance; her ovation was deservedly huge.
— Vancouver Sun
Her voice is as clear as running water, with just the right amount of ring to it, and wonderfully sensitive to dynamics. There is a touch of Sutherland about the sound, with a perfect lightness, and an ability to dance her coloratura on point.
— Opera Now
The soprano Celena Shafer was brilliant...singing with bright, focused sound and utter confidence.
— The New York Times

After two summers as an apprentice at the Santa Fe Opera, the career of Soprano Celena Shafer was launched to critical raves as Ismene in Mozart’s Mitridate, Re di Ponto.  Anne Midgette in the New York Times wrote, “It takes the debutante Celena Shafer, an alumna of the apprentice program here, to show how it should be done, singing the Oriental princess Ismene with flair, vocal balance and great cadenzas.”  Since that breakthrough debut, Ms. Shafer has garnered acclaim for her silvery voice, fearlessly committed acting and phenomenal technique.  She spends much of her time on the concert stage and has appeared with the orchestras in New York, Chicago, Philadelphia, San Francisco, and Los Angeles with leading conductors such as Christoph von Dohnanyi, Alan Gilbert, Bernard Labadie, Robert Spano, Nicholas McGegan, Kent Nagano, Donald Runnicles, Michael Tilson Thomas, David Robertson and Sir Andrew Davis.

Among Ms. Shafer's 2017/2018 appearances include Musetta in La Boheme and the Mozart Mass in C Minor led by Markus Stenz for the Utah Symphony | Utah Opera, Carmina Burana in Costa Rica with Carl St. Clair, and Handel's Messiah with the Nashville Symphony led by Gary Wedow. 

During the 2016/2017 season she sang Mahler Symphony No. 2 at the Britt Festival in Oregon led by Teddy Abrams, and repeated the work with him at the Louisville Orchestra.  She returne to the Phoenix Symphony for Handel's Messiah led by music director Tito Munoz, and performe Marzelline in Beethoven's Leonore with the Washington Concert Opera with music director Antony Walker.

Since first appearing with the Utah Symphony | Utah Opera as a high school student, Ms. Shafer has performed operatic roles there including Constanze in The Abduction from the Seraglio, Rosina in Il barbiere di Siviglia, GIlda in Rigoletto, Norina in Don Pasquale, Lisette in La Rondine, Tytania in A Midsummer Night's Dream, and Adele in Die Fledermaus.  Concert repertoire with the USUO has included Mahler Symphonies 2 and 4, the Big 5 tour of Utah's great state parks, the Brahms German Requiem, the Bach Magniicat and wedding cantata Jauchzet Gott in Allen Landen, Vivaldi Glorida, Poulenc Gloria and several concerts of chamber music with conductors such as Bernard Labadie, Raymond Leppard, and former music director Keith Lockhart. She was the 2014/2015 season Artist-in-Residence and most recently sang Mahler Symphonies No. 2, 4, and 8, a New Year's Eve Gala, Beethoven Symphony No. 9, and the Utah Symphony's Mighty Five tour through Utah's state parks, all led by music director Thierry Fischer.

Elsewhere Ms. Shafer's operatic highlights have included Johanna in Sweeney Todd for the Lyric Opera of Chicago and Nanetta in Falstaff with the Los Angeles Opera, both with with Bryn Terfel; Blonde in Abduction from the Seraglio with the Opera Theatre of St. Louis; Aithra in Die ägyptische Helena with the American Symphony Orchestra recorded for Telarc; Zerbinetta in Ariadne auf Naxos at the Concertgebouw; and Gilda in Rigoletto with the Welsh National Opera.  She has returned to the Santa Fe Opera for productions of Mozart's Lucio Silla, Berlioz's Beatrice and Benedict, and Britten's Albert Herring.

She completed her undergraduate at the University of Utah and received a master's degree from the University of Missouri-Kansas City Conservatory of Music and Dance.

(August 2017. Please discard previously dated materials and contact publicity@colbertartists.com before making any alterations or cuts.)