With unparalleled artistry and enduring vigor, the Juilliard String Quartet continues to inspire audiences around the world with its performances. Founded in 1946, and widely known as “the quintessential American string quartet,” the Juilliard draws on a deep and vital engagement with the classics, while embracing the mission of championing new works – a vibrant combination of the familiar and the daring. Each performance of the Juilliard Quartet is a unique experience, bringing together the four members’ profound understanding, total commitment, and unceasing curiosity in sharing the wonders of the string quartet literature.
Having welcomed cellist Astrid Schween and celebrated its 70th anniversary last season, the Juilliard String Quartet marks the 2017-18 season with highly anticipated return appearances in Seattle, Santa Barbara, Pasadena, Memphis, Raleigh, Houston, Amsterdam, and Copenhagen. The Quartet continues its acclaimed annual performances in Detroit, Philadelphia, and at the Ravinia Festival, along with numerous concerts at home in New York City, including appearances at Lincoln Center and Town Hall. Adding to its celebrated discography, the JSQ releases a new album featuring the world premiere recording of Mario Davidovsky's Fragments (2016), together with Beethoven Op. 95 and Bartok No. 1. Highlights of concert programming throughout the 2017-18 season include visionary works by Beethoven, Bartók, and Dvořák, as well as James MacMillan’s haunting and evocative Quartet No. 2, Why is this night different? (1998).
The Juilliard String Quartet’s groundbreaking interactive app on Schubert’s “Death and the Maiden”, was released in 2015 by the innovative app developer, Touchpress, jointly with the Juilliard School. Both the app and the JSQ’s 2014 recording of the “Death and the Maiden” are available on iTunes. Celebrating one of the great collaborative relationships in American music, Sony Classical’s reissue of the Juilliard Quartet’s landmark recordings of the first four Elliott Carter String Quartets together with the 2013 recording of the Carter Quartet No. 5 traces a remarkable period in the evolution of both the composer and the ensemble. The Quartet’s recordings of the Bartók and Schoenberg Quartets, as well as those of Debussy, Ravel and Beethoven, have won Grammy Awards, and in 2011 the Quartet became the first classical music ensemble to receive a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences.
Devoted master teachers, the members of the Juilliard String Quartet offer classes and open rehearsals when on tour. At the Juilliard School, where they are the String Quartet in Residence, all are sought-after members of the string and chamber music faculty, and annually in May they are hosts of the 5-day internationally recognized Juilliard String Quartet Seminar. During the summer, the JSQ works closely on string quartet repertoire with students at the renowned Tanglewood Music Center.
In performance, recordings and incomparable work educating the major artists and quartets of our time, the Juilliard String Quartet has carried the banner of the United States and the Juilliard School throughout the world.
Joseph Lin, Violin
An active solo and chamber musician, Joseph Lin was a founding member of the Formosa Quartet, winner of the 2006 London International String Quartet Competition. He was named a Presidential Scholar in the Arts and has won numerous awards, including the Concert Artists Guild International Competition, the Pro Musicis International Award and First Prize at the inaugural Michael Hill World Violin Competition in New Zealand. His recordings include the music of Korngold and Busoni on the Naxos label, the unaccompanied works of Bach and Ysaÿe on the N&F label, and the Formosa Quartet’s debut CD released by EMI. Mr. Lin has appeared as a soloist with the New Japan Philharmonic, the Sapporo Symphony, the Taiwan National Symphony, the Auckland Philharmonia, the Ukraine National Philharmonic, and the Boston Symphony.
After graduating from Harvard in 2000, he began an extended exploration of China in 2002, and studied Chinese music in Beijing as a Fulbright Scholar in 2004. From 2007 to 2011, Mr. Lin was an Assistant Professor at Cornell University, where he organized the inaugural Chinese Musicians Residency. Joseph Lin’s violin teachers have included Mary Canberg, Shirley Givens and Lynn Chang.
Ronald Copes, Violin
Praised by audiences and critics alike for his insightful artistry, violinist Ronald Copes has toured extensively with Music From Marlboro ensembles, the Los Angeles and Dunsmuir Piano Quartets, and with the Juilliard String Quartet. During the 2011-13 seasons, he and Seymour Lipkin will perform cycles of the complete Beethoven Sonatas for Piano and Violin at the Kneisel Hall Chamber Music Festival and the Juilliard School.
Mr. Copes has recorded numerous solo and chamber music works for radio and television broadcast as well as for Sony Classical, Orion, CRI, Klavier, Bridge, New World Records, ECM and the Musical Heritage Society. He has worked closely with composers including Stephen Hartke and Donald Crockett, and has garnered prizes in the Artists’ Advisory Council International Competition, the Merriweather Post Competition and the Concours International d’Exécution Musicale in Geneva. During the summer he is on faculty of the Kneisel Hall Chamber Music Festival. For two decades, he served as Professor of Violin at the University of California, Santa Barbara, and joined the faculty of The Juilliard School in 1997, where he serves as chair of the violin department.
Roger Tapping, Viola
Roger Tapping joined the Julliard Quartet and the Juilliard School viola faculty in 2013.
He moved from London to the USA in 1995 to join the Takács Quartet. His decade with them included many Beethoven and Bartok cycles in major cities around the world. Their Decca/London recordings, including the complete quartets of Bartok and Beethoven, won many awards including Gramophone Magazine’s Hall of Fame, three Gramophone Awards, a Grammy and three more Grammy nominations.
He has been on the viola faculty of the New England Conservatory, where he also directed the Chamber Music program, and he has served on the faculties of Itzhak Perlman’s Chamber Music Workshop, the Tanglewood Quartet Seminar and Yellow Barn, and given viola master classes at Banff.
Mr. Tapping played and recorded with a number of London’s leading chamber ensembles, including Britain’s longest established quartet, the Allegri Quartet. He was a founding member of the Chamber Orchestra of Europe. He has performed as a guest with many distinguished quartets from the U.S. and Europe, and he was a member of the Boston Chamber Music Society.
His teachers were Margaret Major and Bruno Giuranna, and he participated in master classes with William Primrose. He holds degrees from the University of Cambridge, is a member of the Order of the Knight Cross of the Hungarian Republic, has an Honorary Doctorate from the University of Nottingham, and is a Fellow of the Guildhall School of Music.
Astrid Schween, Cello
Cellist Astrid Schween is an internationally recognized soloist, chamber artist, and teacher. In 2016, she succeeded Joel Krosnick as cellist of the JSQ and joined the Juilliard cello faculty.
Astrid made her debut as soloist with the New York Philharmonic under the direction of Zubin Mehta and received her degrees from the Juilliard School. Her teachers included Harvey Shapiro, Leonard Rose, Dr. H.T. Ma, Bernard Greenhouse and Jacqueline Du Pré. She participated in the Marlboro Music Festival and William Pleeth Master Classes, and was for many years on the faculty of the University of Massachusetts, Hartt School of Music, Mount Holyoke College and Interlochen.
As a longtime member of the Lark Quartet, Astrid performed at major venues around the world and received many honors including the Naumburg Chamber Music Award. During her tenure, the quartet produced critically acclaimed recordings for the Arabesque, Decca/Argo, New World, CRI and Point labels, and commissioned numerous works.
An active juror and panelist, she has been featured in Strings and Strad magazines, on “Living the Classical Life,” National Public Radio and as a guest speaker at the Library of Congress on the role of women in music. Ms. Schween’s recent solo engagements include recitals in Washington DC, Boston, and at the International Cello Institute. She also appears this season in Quito, Ecuador, at the Seattle Chamber Music Festival, and has recently joined the cello faculty for the Summer Music School at the Perlman Music Program.
(December 2017. Please discard previously dated materials and contact email@example.com before making any alterations or cuts.)